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The most interesting aspect of this film is that Pasolini, a homosexual, linked homosexuality with death and fascism. Why after portraying homosexuality in a beautiful way in his earlier works did Pasolini change his tune, nobody knows. Some think he lost his mind while making this movie.
Many don't like the film because Pasolini makes the victims out to be emotionless and doesn't allow us to pity them. But thats just what he wanted! By watching the movie, we are like the victims, allowing ourselves to be abused and also being a spectator to abuse. Again, everything in this film is done for a reason.
Before watching this film you should be familiar with de Sade, Dante's Inferno, and have some basic understanding of fascism and its history. If you lack any of these three elements, don't watch the movie because you will not get it at all. Again, don't watch this movie at face value. It is one of the sickest, most disturbing films ever made, and it is that way for a reason. Not for shock value or to get banned in country after country, but to make a statement. This film is so dangerous that it is believed by many that Pasolini was assassinated for making it. If everyone got this movie, the world would be in deep trouble.
Paolo Bonacelli | The Duke |
Giorgio Cataldi | The Bishop |
Umberto Paolo Quintavalle | The Magistrate (as Umberto P. Quintavalle) |
Aldo Valletti | The President |
Caterina Boratto | Signora Castelli |
Elsa De Giorgi | Signora Maggi |
Hélène Surgère | Signora Vaccari (as Helene Surgere) |
Sonia Saviange | The Pianist |
Sergio Fascetti | Male Victim |
Bruno Musso | Male Victim |
Antonio Orlando | Male Victim |
Giuliana Melis | Female Victim |
Faridah Malik | Female Victim |
Graziella Aniceto | Female Victim |
Tonino Delli Colli | Cinematographer |
Claudio Cicchetti | Male Victim |
Franco Merli | Male Victim |
Umberto Chessari | Male Victim |
Lamberto Book | Male Victim |