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Obviously, this movie owes a lot to the Stalinist “people’s hero” movies of the 30s and 40s but it is redeemed by surprising admissions that a collective farm is no paradise. When a disabled sailor is rejected as a member, he reacts bitterly and drowns his sorrow in alcohol. The ties between Ji Jun and her two children are also fairly complex, given the propaganda parameters. They feel that she has not given proper respect to her dead husband, but in the end family and nation are reconciled.

