Without giving anything away, let me offer a comparison to the hollywood oscar winner "Crash" because they have similar themes. They both deal with the psychological and communicative dis-functions particular to our modern, multicultural world. Both films also deal with the suffering we create through our behavior toward one another by way of our assumptions, beliefs, and prejudices.
Stylistically, however, these two films have little in common. Whereas "Crash" plays like a pilot for a tv series, weaving its characters and their stories together in support of its themes (as it holds our hands throughout and takes us where it wants us to go), "Code Unknown" is a puzzle in fragments that we must assemble ourselves from the layered information we are given. Whereas "Crash" connects too many improbable conversations and events with possible ones in order to hit us over the heads and wrench our hearts with its message, "Code Unknown" entrusts us with cinematic clues and metaphors that we must use to construct our own understanding. In "Crash" everyone tells us everything they feel and think thereby limiting the possibilities of what we are allowed to imagine. To the contrary, "Code Unknown" invites us to rely our own abilities (as perceivers) to discover what truths there are."Crash" has a few brilliant scenes, but once we have seen it there is nothing left to experience, wonder about, or really discuss. The show is over, and now we know everything about it (just as with every hollywood film) . "Code Unknown" (like all works of art) is made up of one brilliant scene after another, but more importantly it entreats us to reflect, as well as interpret. It also invites us into conversation about it, even asks us to return and discover again.... cinewest
Juliette Binoche | Anne Laurent |
Thierry Neuvic | Georges |
Josef Bierbichler | The Farmer (as Sepp Bierbichler) |
Alexandre Hamidi | Jean |
Maimouna Hélène Diarra | Aminate |
Ona Lu Yenke | Amadou |
Djibril Kouyaté | The Father |
Luminita Gheorghiu | Maria |
Crenguta Hariton | Irina (as Crenguta Hariton Stoica) |
Bob Nicolescu | Dragos |
Bruno Todeschini | Pierre |
Paulus Manker | Perrin |
Didier Flamand | The director |
Walid Afkir | The Young Arab (as Walide Afkir) |
Maurice Bénichou | The Old Arab |
Carlo Brandt | Henri |
Philippe Demarle | Paul |
Marc Duret | The Policeman |
Arsinée Khanjian | Francine |
Florence Loiret | Amadou's Friend |
Nathalie Richard | Mathilde |
Andrée Tainsy | Mrs. Becker |
Elisabeth Marceul | Child |
Melissande Zeddam | Child |
Brandon Croteau | Child |
Sonia Chauvelin | Child |
Baptiste Gintzburger-Batle | Child |
Sarah Agogue Tasse | Child |
Alexandra Croteau | Child |
Jerome Ferreira | Child |
Melanie Lhote | Child |
José Marques | Child |
Guessi Diakite-Goumdo | Salimata |
Jean-Yves Chatelais | Shop Owner |
Laurent Suire | Policeman |
Féodor Atkine | Man in Taxi (voice) |
Malick Bowens | Witch Doctor |
Ioan Marian Boris | Nicu |
Monica Popa | Nuta |
Ada Navrot | Florica |
Dominique Douret | David |
Tsuyu Shimizu | David's Friend (as Tsuyu Bridwell) |
Antoine Mathieu | Restaurant Waiter |
Constantin Barbulescu | Mihai Popa |
Domeke Meite | Demba |
Marany Fofana | Youssouf's Sister |
Aïssa Maïga | Black Girl with Blonde Hair |
Costel Cascaval | Man in the Garden |
Sandu Mihai Gruia | Group Leader |
Daniel Dublet | Uncle |
Boris Napes | Father in Cemetery |
Isabelle Pietra | Mother in Cemetery |
Cristina Ioanidis | Tatiana |
Ion Haiduc | Man in Squat |
Guillaume Morvilliers | Pierrot |
Pascal Loison | Jolly Man |
Jeff Cullen | Character portrayal |
Irina Lubtchansky | camera assistant |
Giba Gonçalves | Composer |
Jürgen Jürges | Cinematographer |
Karin Hartusch | Editor |
Nadine Muse | Editor |
Andreas Prochaska | Editor |