"Gate of Flesh" is another wonderful example of why Seijun Suzuki will go down in history as one of Japan's craftiest and most ingenious B-movie directors. As exhibited in "Branded to Kill" and "Tokyo Drifter" Suzuki has the uncanny ability to take shoestring budgets, predictable boilerplate scripts, tight schedules, and studio-contracted actors and spin these elements to create extremely deep and layered films. "Gate of Flesh" is no exception. In post-World War II Japan, life on the Tokyo streets has become desperate. Amidst the ruins, a tough, well-worn group of prostitutes bands together for survival and companionship. When an ex-soldier enters into the circle, flames of jealousy, anger, and lust are fueled, ending with disastrous results. On the surface, the story is a simple pulp tale of decadence thrown together by Nikkatsu Studios to make a quick buck. But, in the hands of Suzuki-san, "Gate of Flesh"turns into a hallucinatory, surreal, critical post-modern essay on the decline of loyalty and morality in modern society.
-KENTFLIX
Tamiko Ishii | Oroku |
Yumiko Nogawa | Maya |
Jô Shishido | Shintaro Ibuki |
Satoko Kasai | SEN |
Kayo Matsuo | Omino |
Shigeyoshi Mine | Cinematographer |
Akira Suzuki | Editor |
Naozumi Yamamoto | Original Music Composer |
Koji Wada | Abe |
Tomiko Ishii | Oroku |
Kuniko Kawanishi | |
Misako Tominaga | Machiko |
Takeo Kimura | Production Design |
Isao Tamagawa | Horidome |
Yoshiaki Yabuuchi | Production Manager |
Masami Kuzû | Assistant Director |
Chico Roland | Black Pastor |
Eimei Esumi | SEN |
Tsugio Yonezu | sound |
Hiroshi Chô | |
Keisuke Noro | Ishii |
Mikiko Sakai | |
Terue Shigemori | |
Kôji Yashiro |