










Ballets; Symphonies; Concertos; Miniature Masterpieces; Chamber Music; Operas; Songs; Rakes Progress; Oratorio - Melodrama; Sacred Works (Sony) PG*** "..unique archive recordings..all performances conducted by the composer.."
Track Listing:
1. Ballets Vol. 1
The Firebird
Scherzo a la Russe
Scherzo Fantastique
Fireworks
2. Ballets Vol. 2
Petrushka
The rite of spring
3. Ballets Vol. 3
The wedding
Renard the fox
The soldier's tale
4. Ballets Vol. 4
Apollo
Agon
Card game
5. Ballets Vol. 5
Scenes de ballet
Bluebird
The fairy's kiss
6. Ballets Vol. 6
Pulcinella
Orpheus
7. Ballets Vol. 7 (Suites)
Petrushka
Pulcinella
The firebird
8. Symphony in E-flat (Rehearsals and talks)
Symphony in E-flat, op. 1
Portrait of Stravinsky
Stravinsky in his own words
9. Symphonies
Symphony in three movements
Symphony in C
Symphony of psalms
10. Concertos
Concerto for piano and wind instruments
Movements for piano and orchestra
Capriccio for piano and orchestra
Concerto in D for violin and orchestra
11. Miniature Masterpieces
Greeting prelude
Suite No. 1 for small orchestra
Suite No. 2 for small orchestra
Concerto in E-flat for chamber
Four norwegian moods for orchestra
Circus polka
Concerto in D for string orchestra, "Basic Concerto"
Eight instrumental miniatures for fifteen players
Four etudes for orchestra
12. Chamber Music & Historical recordings Vol. 1
Preludium for jazz ensemble
Concerto for 12 instruments
Octet for wind instruments
Ragtime for 11 instruments
Tango
Septet
Pastorale
Ebony Concerto
Symphonies of wind instruments
13. Chamber Music & Historical recordings Vol. 2
Duo Concertant for violin and piano
Serenade in A
Concerto for 2 solo pianos
Piano-rag music
Sonata for 2 pianos
Sonata for piano
14. Operas
The nightingale
Mavra
15. 35 songs
Faun and shepherdess
Two poems of paul verlaine
Two poems of Konstantin Bal'mont
Three Japanese Lyrics
Three little songs (Recollections of my childhood)
Pribaoutki (Pleasant songs)
Cat's Cradle Songs
Four Russian Peasant songs
Four songs
Three songs from Wiliam Shakespeare
In Memorium Dylan Thomas
Elegy for J.F.K
The owl and the pussy-cat
Tilim-Bom
16. The Rake's progress (1/2)
The rake's progress
17. The Rake's progress (2/2)
The rake's progress
18. Oratorio - Melordrama Vol. 1
Oedipus Rex
The flood
19. Oratorio - Melordrama Vol. 2
Persephone
Ode
Monumentum pro gesualdo di venosa an cd annum
20. Sacred works Vol. 1
Chorale Variations
Zvezdoliki The Star-faced one
Ave Maria
Credo
Pater Noster
Cantata
Mass
Babel
21. Sacred works Vol. 2
Canticum Sacrum ad honorem Sancti Marci Nominis
A sermon, a narrative and a prayer eine predigt
Anthem
Threni ( ID est lamentationes jeremiae prophetae)
22. Robert Craft conducts under the supervision of Ignor Stravinsky
Song of the nightingale
Danses concertantes
Epitaphium
Double cannon
Abraham and Isaac
Variations
Requiem Canticles
Track | Duration |
---|---|
Introduction | |
Scene 1. Kashchei's enchanted garden | |
Scene 1. The Firebird appears, pursued by Ivan Tsarevich | |
Scene 1. Dance of the Firebird | |
Scene 1. Ivan Tsarevich captures the Firebird | |
Scene 1. The Firebird's entreaty | |
Scene 1. The appearance of the thirteen enchanted princesses | |
Scene 1. The princesses' game with apples of gold | |
Scene 1. The sudden appearance of Ivan Tsarevich | |
Scene 1. The Princesses' Round | |
Scene 1. Dawn (Ivan Tsarevich enters Kashchei's palace) | |
Scene 1. The sound of enchanted bells; monsters appear, Kashchei's guards, and take Ivan Tsarevitch | |
Scene 1. The arrival of Kaschchei the Immortal | |
Scene 1. Kashchei's dialogue with Ivan Tsarevich | |
Scene 1. The princesses intercede | |
Scene 1. The appearance of the Firebird | |
Scene 1. Kashchei's followers dance under the Firebird's spell | |
Scene 1. Infernal dance of Kaschei's subjects | |
Scene 1. Lullaby (The Firebird) | |
Scene 1. Kashchei awakens | |
Scene 1. Death of Kaschei: profound darkness | |
Scene 2. Kashchei's spells are broken; his palace disappears, the stone knight returns to life, joy | 1:03:2 |
1. Andante | |
2. Napolitana | |
3. Española | |
4. Balalaika | |
1. Marche | |
2. Valse | |
3. Polka | |
4. Galop | |
1. Tempo giusto | |
2. Allegretto | |
3. Con moto | |
1. Intrada | |
2. Song | |
3. Wedding Dance | |
4. Cortège | |
1. Vivace | |
2. Arioso. Andantino | |
3. Rondo. Allegro | |
1. Andantino | |
2. Vivace | |
3. Lento | |
4. Allegretto | |
5. Moderato alla breve | |
6. Tempo di Marcia | |
7. Larghetto | |
8. Tempo di Tango | |
1. Danse | |
2. Excentrique | |
3. Cantique | |
4. Madrid | 66:43 |
Dedicatio | |
1. Euntes in Mundum | |
2. Surge, aquilo | |
3. Ad Tres Virtutes Hortationes (Caritas, Spes, Fides) | |
4. Jesus autem ait illi | |
5. Illi autem profecti | |
1. A Sermon (from St. Paul) | |
2. A Narrative, The Stoning of St. Stephen (Acts 6-7) | |
3. A Prayer (from Thomas Dekker) | |
Incipit | |
De Elegia Prima | |
De Elegia Terita: 1. Querimonia / 2. Sensus Spei / 3. Solacium | |
De Elegia Quinta: Oratorio Jeremiae Prophetae | |
PETRUSHKA: Scene 1. No. 1. The Shrove-tide Fair | |
Scene 1. No. 3. The Charlatan's Booth | |
Scene 3. No. 1. The Moor's Room | |
Scene 3. No. 2. Dance of the Ballerina | |
Scene 3. No. 3. Waltz (Ballerina and Moor) | |
Scene 4. No. 1. The Shrove-tide Fair (near evening) | |
Scene 4. No. 5. Dance of the Coachmen and Grooms | |
Scene 4. No. 6. The Masqueraders | 73:40 |
Scene 4. No. 7. Conclusion (Petrushka's Death) | |
The Rites of Spring/Le Sacre de Printemps: Part One: The Adoration of the Earth, Introduction | |
Part One: The Adoration of the Earth, The Augurs of Spring (Dance of the Young Girls) | |
Part One: The Adoration of the Earth, Mock Abduction | |
Part One: The Adoration of the Earth, Spring Round Dances | |
Part One: The Adoration of the Earth, Games of the Rival Tribes | |
Part One: The Adoration of the Earth, Procession of the Wise Elder | |
Part One: The Adoration of the Earth, Adoration of the Earth (The Wise Elder) | |
Part One: The Adoration of the Earth, Dance of the Earth | |
Part Two: The Sacrifice, Introduction | |
Part Two: The Sacrifice, Mystical Circles of the Young Girls | |
Part Two: The Sacrifice, Glorification of the Chosen Victim | |
Part Two: The Sacrifice, Summoning of the Ancestors | |
Part Two: The Sacrifice, Ritual of the Ancestors | |
Part Two: The Sacrifice, Sacrificial Dance (The Chosen Victim) | 65:27 |
1. Sinfonia | |
2. Tema con variazioni | |
3. Finale | |
1. Eighth note = 88 | 64:06 |
2. Passacaglia | |
3. Gigue | |
2. Andante | |
3. Moderato; Con moto | |
1. Prelude | |
2. Exaudi | |
3. Dies Irae | |
4. Tuba mirum | |
5. Interude | |
6. Rex tremendae | |
7. Lacrimosa | |
8. Libera me | |
9. Postlude | 68:53 |
Scherzo a la Russe (on disc 1) | |
Scherzo Fantastique (on disc 1) | |
Fireworks/Feu d'artifice (on disc 1) | |
Wedding - Part One, Scene 1. The Bride's Chamber | |
Part One, Scene 2. At the Bridegroom's | |
Part One, Scene 3. The Bride's Departure | |
Part Two, Scene 4. The Wedding Feast | |
The Soldier's March | |
Scene 1. Airs by a Stream | |
Scene 2. Pastorale | |
Scene 2. The Royal March | |
Scene 2. The Little Concert | |
Scene 2. Three Dances (Tango, Waltz , Ragtime) | |
Scene 2. The Devil's Dance | |
Scene 2. The Great Chorale | |
Scene 2. Triumphal March of the Devil | 64:53 |
1. Cantilène | |
2. Eclogue 1 | |
3. Eclogue 2 | |
4. Gigue | |
5. Dithyrambe | |
1. Hymne | |
2. Romanza | |
3. Rondoletto | |
4. Cadenza finale | |
1. Con moto | |
2. Notturno. Adagietto | |
3. Quattro variazioni | |
4. Preludio e fuga | |
1. Moderato | |
2. Theme with Variations | |
3. Allegretto | |
1. Eighth Note = 112 | |
2. Adagietto | |
3. Eighth Note = 112 | 70:11 |
Scene 1. The Birth of Apollo. Largo: Allegro - Tempo 1 | |
Scene 2. Variation d'Apollon (Apollon et les Muses) | |
Pas d'action (Apollon et les trois Muses: Calliope, Polymnie, et Terpsichore) Moderato | |
Scene 2. Variation de Calliope (l'Alexandrin) Allegretto | |
Scene 2. Variation de Polymnie. Allegro | |
Scene 2. Variation de Terpsichore. Allegretto | |
Scene 2. Variation d'Apollon. Lento | |
Scene 2. Pas de deux (Apollon et Terpsichore) Adagio | |
Scene 2. Coda (Apollon et les Muses) Vivo: Tempo sostenuto - Agitato | |
Scene 2. Apothéose. Largo et tranquillo | |
Pas de quatre | |
Double Pas de quatre | |
Triple Pas de quatre | |
First Pas de trois. Saraband Step | |
First Pas de trois. Gaillarde | |
First Pas de trois. Coda | |
First Pas de trois. Interlude | |
Second Pas de trois. Bransle simple | |
Second Pas de trois. Bransle gay | |
Second Pas de trois. Bransle double | |
Second Pas de trois. Interlude | |
Second Pas de trois. Pas de deux | |
Second Pas de trois. Coda | |
Second Pas de trois. Four Duos | |
Second Pas de trois. Four trios | |
First Deal | |
Second Deal | |
Third Deal | 74:32 |
Nightingale - Act 1. Introduction | |
Act 2. Entr'acte: Breezes | |
Act 2. Chinese March | |
Act 2. Song Of The Nightingale | |
Act 2. The Courtiers | |
Act 2. Three Japanese Envoys | |
Act 2. Performance of the Mechanical Nightingale | |
Act 2. Conclusion, Larghetto | |
Act 3. Prelude | |
Act 3. A Room in the Palace of the Emperor | |
Act 3. The Return of the Nightingale | |
Act 3. Solemn Procession | |
Act 3. The Emperor's Recovery | 73:02 |
Danses (Corps de ballet & Ballerine) | |
Pantomime | |
Pas de deux | |
Variations: Danseur & Ballerine | |
Danses (Corps de ballet) | |
Apothéose | |
Bluebird - Pas de Deux: Adagio | |
Variation 1 | |
Variation 2 | |
Coda | |
Scene 1. Prologue | |
Scene 2. A Village Fête | |
Scene 3. At the Mill | |
Scene 3. Pas de deux | |
Scene 3. Adagio | |
Scene 3. Variation | |
Scene 3. Coda | |
Scene 3. Scene | |
Scene 4. Épilogue: The Lullaby of the Land beyond Time and Place | 67:41 |
1. The Shepherdess | |
2. The Faun | |
3. The Torrent | |
The white moon shines in the woods | |
Sleep | |
1. The Flower | |
2. The Dove | |
1. Akahito | |
2. Mazatsumi | |
3. Tsaraiuki | |
1. The Magpie | |
2. The Rock | |
3. The Jackdaw | |
1. Uncle Armand | |
2. The Oven | |
3. The Colonel | |
4. The Old Man and the Hare | |
1. On The Stove | |
2. At Home | |
3. Bye bye | |
4. The Cat has... | |
1. On Saints' Day in Chigisakh | |
2. Ovsen | |
3. The Pike | |
4. Master Portly | |
1. The Drake | |
2. A Russian Spiritual | |
3. Geese and Swans | |
4. Tilim-bom | |
1. Music to hear | |
2. Full fathom five | |
3. When daisies pied | |
Dirge-Canons | 61:03 |
Do not go gentle into that good night | |
Pulcinella: Overture | |
Serenata | |
Scherzino | |
Tarantella | |
Gavotte With Two Variations | |
Orpheus: Scene 1: Orphée | |
Scene 1: Air de danse | |
Scene 1: Dance of the Angel of Death | |
Scene 1: Interlude | |
Scene 2: The Furies | |
Scene 2: Air de danse: Interlude - Air de danse | |
Scene 2: Pas de deux | |
Scene 2: Interlude | |
Scene 2: Pas d'action | |
Scene 3: Apothéose d'Orphée | 69:50 |
Act One, Scene One, The Garden of Truelove's house in the country. "Here I stand" | |
Act One, Scene One, The Garden of Truelove's house in the country. Prelude | |
Act One, Scene One, The Garden of Truelove's house in the country. "The woods are green" | |
Act One, Scene One, The Garden of Truelove's house in the country. "Tom Rakewell?" | |
Act One, Scene One, The Garden of Truelove's house in the country. "Farewell for now" | |
Act One, Scene Two, Mother Goose's Brothel, London. "With air commanding" | |
Act One, Scene Two, Mother Goose's Brothel, London. "Come, Tom" | |
Act One, Scene Two, Mother Goose's Brothel, London. "Love too frequently betrayed" (Cavatina) | |
Act One, Scene Two, Mother Goose's Brothel, London. "The sun is bright" | |
Act One, Scene Three, Autumn. The garden of Truelove's house in the country. "No word from Tom" | |
Act One, Scene Three, Autumn. The garden of Truelove's house in the country. "I'll go to him" (Caba | |
Act Two, Scene One, The morning room of Rakewell's house in a London square. "Vary the song, O Lond | |
Act Two, Scene One, The morning room of Rakewell's house in a London square. "Master, are you alone | |
Act Two, Scene One, The morning room of Rakewell's house in a London square. "My tale shall be told | |
Act Two, Scene Two, The street in front of Rakewell's house. "How strange!" | |
Act Two, Scene Two, The street in front of Rakewell's house. "Anne, Here!" (Duet) | |
Act Two, Scene Two, The street in front of Rakewell's house. "Could it then have been known" (Trio) | 70:29 |
Scene 1. No. 1. The Shrove-tide Fair | |
Scene 1. No. 2. The Crowds | |
Scene 1. No. 4. Russian Dance | |
Scene 2. Petrushka's Room | |
Scene 4. No. 2. Dance of the Wet Nurses | |
Scene 4. No. 3. Dance of the Peasant and the Bear | |
Scene 4. No. 4. Dance of the Gypsy Girls | |
Scene 4. No. 5. Dance of the Coachmen | |
1. Sinfonia (Ouverture) | |
2. Serenata | |
3. a) Scherzino | |
3. b) Allegro | |
3. c) Andantino | |
4. Tarantella | |
5. Toccata | |
6. Gavotta con due variazioni | |
7. Vivo (Duetto) | |
8. a) Minuetto | |
8. b) Finale | |
Prelude and Dance of the Firebird | |
Variations (The Firebird) | |
Pantomime 1 | |
Pas de deux (The Firebird and Ivan Tsarevitch) | |
Pantomime 2 | |
Scherzo. Dance of the Princesses | |
Pantomime 3 | |
Rondo (Corovod) | |
Infernal Dance | |
Lullaby (The Firebird) | |
Final Hymn | |
Act Two, Scene Three, The morning room in Rakewell's house. "As I was saying" | |
Act Two, Scene Three, The morning room in Rakewell's house. "You! O Nick! I've had the strangest dr | |
Act Three, Scene One, The morning room in Rakewell's house. "What Curious phenomena..." | |
Act Three, Scene One, The morning room in Rakewell's house. "Aha!" | |
Act Three, Scene One, The morning room in Rakewell's house. "Sold! Annoyed! I've caught you Thievin | |
Act Three, Scene One, The morning room in Rakewell's house. "I go to him." | |
Act Three, Scene Two, A starless night. A Churchyard. Prelude | |
Act Three, Scene Two, A starless night. A Churchyard. "How dark and dreadful is this place" | |
Act Three, Scene Two, A starless night. A Churchyard. "Very well, then, my dear" | |
Act Three, Scene Two, A starless night. A Churchyard. "I burn! I freeze!" | |
Act Three, Scene Three, Bedlam. "Prepare yourselves, heroic shades." | |
Act Three, Scene Three, Bedlam. "There he is. Have no fear. He is not dangerous." | |
Act Three, Scene Three, Bedlam. "Gently, little boat" (Lullaby) | |
Act Three, Scene Three, Bedlam. "Where art thou, Venus?" | |
Act Three, Scene Three, Bedlam. Epilogue "Good people, just a moment" | 70:22 |
1. Allegro moderato | |
2. Scherzo. Allegretto | |
3. Largo | |
4. Finale. Allegro molto | |
rehearsal extract | 73:56 |
Prologue: Act 1 | |
Act 2 | |
Prelude | |
Melodrama | |
The Building of the Ark (Choreography) | |
The Catalogue of the Animals | |
The Comedy (Noah and his wife) | |
The Flood (Choreography) | |
The Covenant of the Rainbow | 73:12 |
1. Overture. Allegro | |
2. Andante: Interlude: L'istesso tempo | |
1. Moderato alla breve | |
2. Larghetto concertante | |
4. Largo: Tempo giusto, alla breve | |
Part 1 | |
Part 2 | |
Part 3 | 70:08 |
1. Persephone Abducted | |
2. Persephone in the Underworld | |
3. Persephone Restored | |
1. Eulogy | |
2. Eclogue | |
3. Epitaph | |
1. Asciugate i begli occhi. Madrigale 14, Libro quinto | |
2. Ma tu, cagion di quella. Madrigale 18, Libro quinto | |
3. Belta poi che t'assenti. Madrigale 2, Libro sesto | 74:49 |
1. Largo. Allegro: Maestoso | |
2. Largo | |
3. Allegro | |
1. Eighth note = 110 | |
2. Eighth note = 52 | |
3. Eighth note = 72 | |
4. Eighth note = 80 | |
5. Eighth note = 104 | |
1. Presto | |
2. Andante rapsodico | |
3. Allegro capriccioso ma tempo giusto | |
1. Toccata | |
2. Aria 1 | |
3. Aria 2 | |
4. Capriccio | 65:21 |
Choral | |
Variation 1 (In canone all'Ottava) | |
Variation 2 (Alio modo canone alla Quinta) | |
Variation 3 (In canone alla Settima) | |
Variation 4 (In canone all' Ottava per augmentationem) | |
Variation 5 (L'altra sorte del canone al rovescio) | |
A Lyke-Wake Dirge (Versus 1. Prelude) | |
Ricercar 1 (Soprano) The maidens came | |
A Lyke-Wake Dirge (Versus 2. 1st Interlude) | |
Ricercar 2 (Tenor) Tommorrow shall be (Sacred History) | |
A Lyke-Wake Dirge (Versus 3. 2nd Interlude) | |
Westron Wind (Soprano and Tenor) | |
A Lyke-Wake Dirge (Versus 4. Postlude) | |
Kyrie | |
Gloria | |
Credo | |
Sanctus | |
Agnus Dei | |
Babel | 67:35 |
de elegia quinta | 70:48 |